Reviewed by Katherine Connell Carmen Maria Machado, In the Dream House (Strange Light, 2019), 264 pp., $24.95. Carmen Maria Machado’s In the Dream House is a hybrid memoir that combines the author’s personal experience of queer domestic abuse with reflections on genre, literature, film, and...
Category - Reviews
I Is for Interloper: A Review of Matthew Walsh’s These are not the potatoes of my youth
Reviewed by Ben Rawluk Matthew Walsh, These are not the potatoes of my youth (Goose Lane, 2019), 92 pp., $19.95. I don’t want to have to use the word liminal, but all the spaces in Matthew Walsh’s debut poetry collection These are not the potatoes of my youth are absolutely liminal. Walsh is a Nova...
Embodying the High Line: A Review of Lucas Crawford’s The High Line Scavenger Hunt
Reviewed by Emilia Nielsen Lucas Crawford, The High Line Scavenger Hunt (University of Calgary Press, 2018), 144 pp., $18.99. Lucas Crawford’s second collection of poetry, The High Line Scavenger Hunt, undertakes to both chronicle and engage with New York City’s High Line, a reclaimed elevated...
Queer Future: A Review of Larissa Lai’s The Tiger Flu
Reviewed by Tanya Marquardt Larissa Lai, The Tiger Flu (Arsenal Pulp Press, 2018), 334 pp., $19.95. Winner of the 2019 Lambda Literary Award for Lesbian Fiction, Larissa Lai’s novel The Tiger Flu invites us into a lyrical world that melds seamlessly with her rendering of place, telling a much...
Show, Don’t Tell: A Review of Alexander Chee’s How to Write an Autobiographical Novel
Reviewed by Asam Ahmad Alexander Chee, How to Write an Autobiographical Novel (Mariner, 2018), 280 pp., $16. Near the end of How to Write an Autobiographical Novel, Alexander Chee writes: “The story of your life, described, will not describe how you came to think about your life or yourself, nor...
Where Is My Son: A Review of Hasan Namir’s War/Torn
Reviewed by Matthew Walsh Hasan Namir, War/Torn (Book*hug Press, 2019), 114 pp., $18. Hasan Namir, celebrated author of the novel, God in Pink (winner of the 2016 Lambda Literary Award for Gay Fiction), is back on the literary scene with his essential debut book of poetry, War/Torn, published by...
An Exercise in Queer Failure: A Review of Zahra Patterson’s Chronology
Reviewed by Marie-Hélène Westgate Zahra Patterson, Chronology (Ugly Duckling Presse, 2018), 96 pp., $14. Not by accident, Zahra Patterson grants us entry into her long-form nonfiction essay, Chronology, through failure. The action of the book centers around Patterson’s inability to translate a...
Never a Unity: A Review of Emilia Nielsen’s Body Work
Reviewed by Lucas Crawford Emilia Nielsen, Body Work (Signature Editions, 2018), 100 pp., $17.95. My skin tells non-linear tales: a series of abandoned forays into shrinkage and growth; into sun exposure and cooking burns (reader, do not cook fatty proteins sans shirt); into stretched pores and the...
Brief Dramas: A Review of Ocean Vuong’s On Earth We’re Briefly Gorgeous
Reviewed by Asam Ahmad Ocean Vuong, On Earth We’re Briefly Gorgeous (Penguin Random House, 2019), 368 pp., $28.00. In his first novel, On Earth We’re Briefly Gorgeous, the poet Ocean Vuong creates scenes of magisterial beauty through a heartfelt and earnest exploration of grief, desire, pain, and...
Life Beyond the Binary: A Review of Joshua M. Ferguson’s Me, Myself, They
Reviewed by Jeremiah Bartram When I opened Me, Myself, They, I knew nothing about Joshua M. Ferguson. I didn’t know that as a political activist they had pioneered policy changes in Ontario and B.C. that now permit non-binary gender identification on birth certificates and driver’s licenses...
Looking Back: A Review of Casey Plett’s Little Fish
Reviewed By Evelyn Deshane There are several moments in Little Fish by Casey Plett where the protagonist, Wendy, tells the readers that she always envisioned herself as more of a woman when she thought of her body from the back. This is a really queer thing to say–as in the original meaning...
Hello Jane: A Review of Greetings from Janeland
Reviewed by Rebecca Snow I came out while reading Greetings from Janeland: Women Write More About Leaving Men for Women, edited by Candace Walsh and Barbara Straus Lodge. It’s the 2017 sequel to Dear John, I Love Jane, which was released in 2010. I hadn’t read the first book when I read...
The Body, or a Haunted House: A review of Carmen Maria Machado’s Her Body and Other Parties
Reviewed by Asam Ahmad The strange beauty and terrifying brilliance of Carmen Maria Machado’s first short story collection, Her Body and Other Parties, cannot be overstated. These stories foreshadow and tap into the current cultural conversations around the prevalence and banality of everyday...
So Many Feelings: a Review of A Portrait in Blues
Reviewed by Evelyn Deshane If I could sum up jayy dodd’s poetry anthology A Portrait in Blues in a phrase, it would be “so many, too much.” This utterance is my attempt to put words to a feeling that is—by the nature of feeling itself—transient, which is what many of the poets try...
Deep Time: A Review of Quarry by Tanis Franco
Reviewed by Evelyn Deshane Quarry by Tanis Franco hits all of my major interests: poetry written from a gender nonconforming / queer perspective, focused in a Canadian locale, and peppered with numerous references to literary theories, along with pop culture. Oh, and in all of this, these poems are...
Rituals of Healing and Survival: A Review of Joelle Barron’s Ritual Lights
Reviewed by Annick MacAskill Joelle Barron’s poetry collection Ritual Lights is an impressive and engaging debut that centres experiences of sexual assault, loss, love, and parenthood in a lyric narrative sequence. The book opens with a series of poems that explore sexual violence and family...
Black Hole: A Review of The Videofag Book
Reviewed by Evelyn Deshane A black hole infiltrates much of The Videofag Book, a collection edited by William Ellis and Jordan Tannahill about their time running the Videofag art space in Kensington Market, Toronto. Comprising an introduction by Tannahill and Ellis, a roundtable conversation, love...
Too Much Blood for Literature: A Review of Arundhati Roy’s The Ministry of Utmost Happiness
Review By Asam Ahmad Near the end of The Ministry of Utmost Happiness, Arundhati Roy’s first new novel in twenty years, we find this passage jotted in a characters’ notebook: How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything. It is an awkward fragment...
Queering the North: A review of Building Fires in the Snow: A Collection of Alaska LGBTQ Short Fiction and Poetry
Reviewed by Trevor Corkum Building Fires in the Snow took me for a jaunt down memory lane. When I was a university student, I spent a couple of summers working in the Yukon. I hitchhiked the Alaska Highway with a friend, arriving in Whitehorse seven days after we first stuck out our thumbs in the...
Queering the Indigenous Future: A Review of Joshua Whitehead’s full-metal indigiqueer
Reviewed by Gwen Benaway Joshua Whitehead’s debut collection of poetry, full-metal indigiqueer, is a cyberpunk dystopian vision of modern queer Indigenous life. Influenced by the classic Japanese anime Akira, full-metal indigiqueer is one of the most distinctive and original collections of...
Get It? A Review of Subject to Change, edited by H. Melt
Reviewed by Evelyn Deshane I read Subject to Change: Trans Poetry and Conversation, edited by H. Melt, while on a train going to a conference. Not only did nearly all of these poems mention the restlessness that travel provokes, making it the perfect companion, but the work of these five trans...
Lesbians Underneath and All Around, a Review of the Film, In Between
Review by Asam Ahmad Written and directed by Maysaloun Hamoud, the film In Between is a daring and hilarious portrayal of the lives of three Palestinian women living in Tel Aviv. The film is remarkable for its deft weaving of light-hearted sentimentality with searing multi-layered explorations of...
Third Places: A Review of Kay Gabriel’s Elegy Department Spring
Reviewed by Evelyn Deshane I read Kay Gabriel’s Elegy Department Spring in a coffee shop—which, looking back on my experience, seems to be the perfect place to read a poetry chapbook about the life and art of Candy Darling, a trans actress famous for her work in Andy Warhol’s...
What If?: A Review of Meanwhile, Elsewhere edited by Cat Fitzpatrick and Casey Plett
Reviewed by Evelyn Deshane Meanwhile, Elsewhere, a sci-fi and fantasy collection edited by Cat Fitzpatrick and Casey Plett, begins with a story about a trans woman who miraculously becomes pregnant after a womb transplant without having intercourse, thereby making her the new Virgin Mary in a...
South Asian Stories for Non-South Asians: A Review of SJ Sindu’s Marriage of a Thousand Lies
Reviewed by Rachna Contractor Novels by and about queer South Asians in North America will never be what I want them to be; SJ Sindu’s debut novel, Marriage of a Thousand Lies, helped me let go of all expectation. Set within a comfortably middle-class community outside Boston and filled with...
Beyond Bravery: A Review of Beyond Trans: Does Gender Matter? by Heath Fogg Davis
Reviewed by Evelyn Deshane About halfway through my PhD comprehensive exams, I hit a wall. My reading list was composed of transgender literary works, meaning that I was reading autobiography after autobiography. As I took notes on these books, I began to wonder how long it would take until people...
Spooling Disparate Threads: A Review of Catherine Hernandez’s Scarborough
Reviewed by Asam Ahmad In Scarborough, Catherine Hernandez’s new novel, a cacophony of voices intermingles to create a unique portrait of the many disparate communities that make up one of the largest and poorest suburbs in Canada. Hernandez carefully weaves many different characters from many...
Carol: The Transfiguration of Patricia Highsmith’s Iconic Story of Love Between Two Women
Reviewed by Michael Lyons One of the most arresting exchanges in Patricia Highsmith’s Carol (originally published as The Price of Salt under a pseudonym) is not with the titular love interest of protagonist Therese Belivet, but with Mrs. Ruby Robichek, a sweater saleswoman at a Manhattan...
Sex by Other Names, a Review of Not Gay: Sex Between Straight White Men by Jane Ward
Reviewed by Asam Ahmad In her new book Not Gay: Sex Between Straight White Men, Jane Ward makes a compelling and fascinating argument about the significance and role of sex between straight white men as a requisite ingredient that solidifies their masculinity, their sense of manhood, and most...
Between the World and Poetry: A Review of Kai Cheng Thom’s a place called No Homeland
Reviewed By Evelyn Deshane Perhaps it was because I had finished reading Between the World and Me by Ta-Nehisi Coates that I had already been thinking of bodies and how they moved in the world before starting Kai Cheng Thom’s a place called No Homeland. Her first poetry collection conjures...
Magic Words: A Review of Laura Jane Grace’s Tranny
Reviewed by Evelyn Deshane During an interview with Trevor Noah on The Daily Show, Laura Jane Grace addressed the title of her recent memoir, Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout, released in 2016. Her response to Noah was similar to her response on The Late...
Failed Muses: A Review of Nick Comilla’s Candyass
Reviewed by Asam Ahmad In Nick Comilla’s Candyass, a novel that stops tasting sweet about halfway through, an adolescent punk kid from a small town in Pennsylvania narrates his sexual coming of age and various experiences with gay life in Montreal and New York City. Purporting to be a novel that...
A Re-Presentation of Super Heroes in C.B. Lee’s Not Your Sidekick
Reviewed by Latonya Pennington In C.B. Lee’s Not Your Sidekick, Jessica Tran is a non-superpowered teenager who just wants to live up to her superhero lineage. Despite not having powers, she decides to take a paid internship and work for her city’s most notorious supervillain in order...
Poetry, Repent! A Review of Cat Fitzpatrick’s Glamourpuss
Reviewed by Evelyn Deshane When I teach poetry to my first-year students, they often don’t know what to say. As a genre, poetry seems to be too old, too stiff and formal, or too cavalier and obscene—depending on what student I poll that day. The only other genre that seems as contentious is...
And Then, I Turn the Page: A Review of Daisy Hernández’s A Cup of Water under My Bed
Reviewed by Asam Ahmad A sprawling, expansive memoir that spans two continents and bridges different worlds in the process, Daisy Hernández’s A Cup of Water under My Bed revels in the complexities and the chaos of the queer immigrant experience. This is a book that refuses easy answers and...
Allegories of the Now
Reviewed by Asam Ahmad In Him, Me, Muhammad Ali, her new collection of short stories, Randa Jarrar tackles themes of longing, infidelity, betrayal, and desire, themes the Palestinian-American novelist, translator, and essayist introduced in her first novel, A Map of Home. The stories in this...
Making the Ineffable Speak: A Review of Night Sky with Exit Wounds, Ocean Vuong’s New Collection of Poems
Reviewed by Asam Ahmad If all poets hope to occasionally make the ineffable speak, Ocean Vuong does so effortlessly in almost every poem from his new collection of poetry, Night Sky with Exit Wounds. It’s hard not to become undone reading many of these poems, and you may find that something...
A Creation Story for Trans Girls, a Review of Kai Cheng’s Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir
Reviewed by Gwen Benaway Published by Metonymy Press in 2016, Kai Cheng Thom’s first book is titled Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir. The title should be enough to signal to readers that what follows is a conflated narrative of personal...
A Review of Joshua Jennifer Espinoza’s New Collection of Poetry, There Should Be Flowers
Reviewed by Asam Ahmad Joshua Jennifer Espinoza’s new collection of poetry, There Should Be Flowers, is beautiful and needs to be read by everyone. This collection explores our cultural anxieties around body, memory and space without ever falling into a clichéd romanticism or idealism...
A Review of Joe Okonkwo’s Jazz Moon
Reviewed by K. Astre Joe Okonkwo’s lyrical, sensual, and sensory debut novel Jazz Moon is an intimate look into twenty-one-year-old Benjamin Charles’s timid yet determined metamorphosis into a man bold enough to honour his deepest desires. Readers watch as he reluctantly reconciles himself...