Reviewed by Emilia Nielsen Bahar Orang, Where Things Touch: A Meditation on Beauty (Book*hug Press, 2020), 114 pp., $20. I was first introduced to Bahar Orang’s work at Creating Space IX, the Canadian Association for Health Humanities annual conference last year in Hamilton, Ontario. Such a...
Reviewed by Amy LeBlanc Tess Liem, Obits. (Coach House Books, 2018), 88 pp., $19.95. Winner of the Gerald Lampert Memorial Award in 2019 Obit: the announcement of a death. “It sinks like a stone, this attention to the lives of others.” Obits. opens with the above epigraph from American poet...
Reviewed by Julia Peterson Barrie Jean Borich, Apocalypse, Darling (Mad Creek Books / The Ohio State University Press, 2018), 120 pp., $18.95. Nominated for a 2018 Lambda Literary Award (Lesbian Memoir/Biography category) I remember learning, a few years ago, that Sappho’s poetry wasn’t...
Reviewed by Katherine Connell Carmen Maria Machado, In the Dream House (Strange Light, 2019), 264 pp., $24.95. Carmen Maria Machado’s In the Dream House is a hybrid memoir that combines the author’s personal experience of queer domestic abuse with reflections on genre, literature, film, and...
Reviewed by Ben Rawluk Matthew Walsh, These are not the potatoes of my youth (Goose Lane, 2019), 92 pp., $19.95. I don’t want to have to use the word liminal, but all the spaces in Matthew Walsh’s debut poetry collection These are not the potatoes of my youth are absolutely liminal. Walsh is a...
Reviewed by Emilia Nielsen Lucas Crawford, The High Line Scavenger Hunt (University of Calgary Press, 2018), 144 pp., $18.99. Lucas Crawford’s second collection of poetry, The High Line Scavenger Hunt, undertakes to both chronicle and engage with New York City’s High Line, a reclaimed elevated...
