Reviewed by Jane Shi Kai Cheng Thom, I Hope We Choose Love (Arsenal Pulp Press, 2019), 144 pp., $17.95. My dear trans kindred—weird sisters, brothers grim and gay, siblings-in arms: What kind of world do you want to live in? –Kai Cheng Thom, “How Neoliberalism Is Stealing Trans Liberation” Kai...
Reviewed by Emilia Nielsen Bahar Orang, Where Things Touch: A Meditation on Beauty (Book*hug Press, 2020), 114 pp., $20. I was first introduced to Bahar Orang’s work at Creating Space IX, the Canadian Association for Health Humanities annual conference last year in Hamilton, Ontario. Such a...
Reviewed by Amy LeBlanc Tess Liem, Obits. (Coach House Books, 2018), 88 pp., $19.95. Winner of the Gerald Lampert Memorial Award in 2019 Obit: the announcement of a death. “It sinks like a stone, this attention to the lives of others.” Obits. opens with the above epigraph from American poet Wendy...
Reviewed by Julia Peterson Barrie Jean Borich, Apocalypse, Darling (Mad Creek Books / The Ohio State University Press, 2018), 120 pp., $18.95. Nominated for a 2018 Lambda Literary Award (Lesbian Memoir/Biography category) I remember learning, a few years ago, that Sappho’s poetry wasn’t written...
Reviewed by Katherine Connell Carmen Maria Machado, In the Dream House (Strange Light, 2019), 264 pp., $24.95. Carmen Maria Machado’s In the Dream House is a hybrid memoir that combines the author’s personal experience of queer domestic abuse with reflections on genre, literature, film, and...
Reviewed by Ben Rawluk Matthew Walsh, These are not the potatoes of my youth (Goose Lane, 2019), 92 pp., $19.95. I don’t want to have to use the word liminal, but all the spaces in Matthew Walsh’s debut poetry collection These are not the potatoes of my youth are absolutely liminal. Walsh is a Nova...
Reviewed by Emilia Nielsen Lucas Crawford, The High Line Scavenger Hunt (University of Calgary Press, 2018), 144 pp., $18.99. Lucas Crawford’s second collection of poetry, The High Line Scavenger Hunt, undertakes to both chronicle and engage with New York City’s High Line, a reclaimed elevated...
Reviewed by Tanya Marquardt Larissa Lai, The Tiger Flu (Arsenal Pulp Press, 2018), 334 pp., $19.95. Winner of the 2019 Lambda Literary Award for Lesbian Fiction, Larissa Lai’s novel The Tiger Flu invites us into a lyrical world that melds seamlessly with her rendering of place, telling a much...
Reviewed by Asam Ahmad Alexander Chee, How to Write an Autobiographical Novel (Mariner, 2018), 280 pp., $16. Near the end of How to Write an Autobiographical Novel, Alexander Chee writes: “The story of your life, described, will not describe how you came to think about your life or yourself, nor...
Reviewed by Matthew Walsh Hasan Namir, War/Torn (Book*hug Press, 2019), 114 pp., $18. Hasan Namir, celebrated author of the novel, God in Pink (winner of the 2016 Lambda Literary Award for Gay Fiction), is back on the literary scene with his essential debut book of poetry, War/Torn, published by...
Reviewed by Marie-Hélène Westgate Zahra Patterson, Chronology (Ugly Duckling Presse, 2018), 96 pp., $14. Not by accident, Zahra Patterson grants us entry into her long-form nonfiction essay, Chronology, through failure. The action of the book centers around Patterson’s inability to translate a...
Reviewed by Lucas Crawford Emilia Nielsen, Body Work (Signature Editions, 2018), 100 pp., $17.95. My skin tells non-linear tales: a series of abandoned forays into shrinkage and growth; into sun exposure and cooking burns (reader, do not cook fatty proteins sans shirt); into stretched pores and the...
Reviewed by Asam Ahmad Ocean Vuong, On Earth We’re Briefly Gorgeous (Penguin Random House, 2019), 368 pp., $28.00. In his first novel, On Earth We’re Briefly Gorgeous, the poet Ocean Vuong creates scenes of magisterial beauty through a heartfelt and earnest exploration of grief, desire, pain, and...
Reviewed by Jeremiah Bartram When I opened Me, Myself, They, I knew nothing about Joshua M. Ferguson. I didn’t know that as a political activist they had pioneered policy changes in Ontario and B.C. that now permit non-binary gender identification on birth certificates and driver’s licenses...
Reviewed By Evelyn Deshane There are several moments in Little Fish by Casey Plett where the protagonist, Wendy, tells the readers that she always envisioned herself as more of a woman when she thought of her body from the back. This is a really queer thing to say–as in the original meaning...
Reviewed by Rebecca Snow I came out while reading Greetings from Janeland: Women Write More About Leaving Men for Women, edited by Candace Walsh and Barbara Straus Lodge. It’s the 2017 sequel to Dear John, I Love Jane, which was released in 2010. I hadn’t read the first book when I read...
Reviewed by Asam Ahmad The strange beauty and terrifying brilliance of Carmen Maria Machado’s first short story collection, Her Body and Other Parties, cannot be overstated. These stories foreshadow and tap into the current cultural conversations around the prevalence and banality of everyday...
Reviewed by Evelyn Deshane If I could sum up jayy dodd’s poetry anthology A Portrait in Blues in a phrase, it would be “so many, too much.” This utterance is my attempt to put words to a feeling that is—by the nature of feeling itself—transient, which is what many of the poets try...
Reviewed by Evelyn Deshane Quarry by Tanis Franco hits all of my major interests: poetry written from a gender nonconforming / queer perspective, focused in a Canadian locale, and peppered with numerous references to literary theories, along with pop culture. Oh, and in all of this, these poems are...
Reviewed by Annick MacAskill Joelle Barron’s poetry collection Ritual Lights is an impressive and engaging debut that centres experiences of sexual assault, loss, love, and parenthood in a lyric narrative sequence. The book opens with a series of poems that explore sexual violence and family...
Reviewed by Evelyn Deshane A black hole infiltrates much of The Videofag Book, a collection edited by William Ellis and Jordan Tannahill about their time running the Videofag art space in Kensington Market, Toronto. Comprising an introduction by Tannahill and Ellis, a roundtable conversation, love...
Review By Asam Ahmad Near the end of The Ministry of Utmost Happiness, Arundhati Roy’s first new novel in twenty years, we find this passage jotted in a characters’ notebook: How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything. It is an awkward fragment...
Reviewed by Trevor Corkum Building Fires in the Snow took me for a jaunt down memory lane. When I was a university student, I spent a couple of summers working in the Yukon. I hitchhiked the Alaska Highway with a friend, arriving in Whitehorse seven days after we first stuck out our thumbs in the...
Reviewed by Gwen Benaway Joshua Whitehead’s debut collection of poetry, full-metal indigiqueer, is a cyberpunk dystopian vision of modern queer Indigenous life. Influenced by the classic Japanese anime Akira, full-metal indigiqueer is one of the most distinctive and original collections of...
Reviewed by Evelyn Deshane I read Subject to Change: Trans Poetry and Conversation, edited by H. Melt, while on a train going to a conference. Not only did nearly all of these poems mention the restlessness that travel provokes, making it the perfect companion, but the work of these five trans...
Review by Asam Ahmad Written and directed by Maysaloun Hamoud, the film In Between is a daring and hilarious portrayal of the lives of three Palestinian women living in Tel Aviv. The film is remarkable for its deft weaving of light-hearted sentimentality with searing multi-layered explorations of...
Reviewed by Evelyn Deshane I read Kay Gabriel’s Elegy Department Spring in a coffee shop—which, looking back on my experience, seems to be the perfect place to read a poetry chapbook about the life and art of Candy Darling, a trans actress famous for her work in Andy Warhol’s...
Reviewed by Evelyn Deshane Meanwhile, Elsewhere, a sci-fi and fantasy collection edited by Cat Fitzpatrick and Casey Plett, begins with a story about a trans woman who miraculously becomes pregnant after a womb transplant without having intercourse, thereby making her the new Virgin Mary in a...
Reviewed by Rachna Contractor Novels by and about queer South Asians in North America will never be what I want them to be; SJ Sindu’s debut novel, Marriage of a Thousand Lies, helped me let go of all expectation. Set within a comfortably middle-class community outside Boston and filled with...
Reviewed by Evelyn Deshane About halfway through my PhD comprehensive exams, I hit a wall. My reading list was composed of transgender literary works, meaning that I was reading autobiography after autobiography. As I took notes on these books, I began to wonder how long it would take until people...
Reviewed by Asam Ahmad In Scarborough, Catherine Hernandez’s new novel, a cacophony of voices intermingles to create a unique portrait of the many disparate communities that make up one of the largest and poorest suburbs in Canada. Hernandez carefully weaves many different characters from many...
Reviewed by Michael Lyons One of the most arresting exchanges in Patricia Highsmith’s Carol (originally published as The Price of Salt under a pseudonym) is not with the titular love interest of protagonist Therese Belivet, but with Mrs. Ruby Robichek, a sweater saleswoman at a Manhattan...
Reviewed by Asam Ahmad In her new book Not Gay: Sex Between Straight White Men, Jane Ward makes a compelling and fascinating argument about the significance and role of sex between straight white men as a requisite ingredient that solidifies their masculinity, their sense of manhood, and most...
Reviewed By Evelyn Deshane Perhaps it was because I had finished reading Between the World and Me by Ta-Nehisi Coates that I had already been thinking of bodies and how they moved in the world before starting Kai Cheng Thom’s a place called No Homeland. Her first poetry collection conjures...
Reviewed by Evelyn Deshane During an interview with Trevor Noah on The Daily Show, Laura Jane Grace addressed the title of her recent memoir, Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout, released in 2016. Her response to Noah was similar to her response on The Late...
Reviewed by Asam Ahmad In Nick Comilla’s Candyass, a novel that stops tasting sweet about halfway through, an adolescent punk kid from a small town in Pennsylvania narrates his sexual coming of age and various experiences with gay life in Montreal and New York City. Purporting to be a novel that...
Reviewed by Latonya Pennington In C.B. Lee’s Not Your Sidekick, Jessica Tran is a non-superpowered teenager who just wants to live up to her superhero lineage. Despite not having powers, she decides to take a paid internship and work for her city’s most notorious supervillain in order...
Reviewed by Evelyn Deshane When I teach poetry to my first-year students, they often don’t know what to say. As a genre, poetry seems to be too old, too stiff and formal, or too cavalier and obscene—depending on what student I poll that day. The only other genre that seems as contentious is...
Reviewed by Asam Ahmad A sprawling, expansive memoir that spans two continents and bridges different worlds in the process, Daisy Hernández’s A Cup of Water under My Bed revels in the complexities and the chaos of the queer immigrant experience. This is a book that refuses easy answers and...
Reviewed by Asam Ahmad In Him, Me, Muhammad Ali, her new collection of short stories, Randa Jarrar tackles themes of longing, infidelity, betrayal, and desire, themes the Palestinian-American novelist, translator, and essayist introduced in her first novel, A Map of Home. The stories in this...
