Reviewed by Matthew Walsh Hasan Namir, War/Torn (Book*hug Press, 2019), 114 pp., $18. Hasan Namir, celebrated author of the novel, God in Pink (winner of the 2016 Lambda Literary Award for Gay Fiction), is back on the literary scene with his essential debut book of poetry, War/Torn, published by...
Reviewed by Marie-Hélène Westgate Zahra Patterson, Chronology (Ugly Duckling Presse, 2018), 96 pp., $14. Not by accident, Zahra Patterson grants us entry into her long-form nonfiction essay, Chronology, through failure. The action of the book centers around Patterson’s inability to translate a...
Reviewed by Lucas Crawford Emilia Nielsen, Body Work (Signature Editions, 2018), 100 pp., $17.95. My skin tells non-linear tales: a series of abandoned forays into shrinkage and growth; into sun exposure and cooking burns (reader, do not cook fatty proteins sans shirt); into stretched pores and the...
Reviewed by Asam Ahmad Ocean Vuong, On Earth We’re Briefly Gorgeous (Penguin Random House, 2019), 368 pp., $28.00. In his first novel, On Earth We’re Briefly Gorgeous, the poet Ocean Vuong creates scenes of magisterial beauty through a heartfelt and earnest exploration of grief, desire, pain...
Reviewed by Jeremiah Bartram When I opened Me, Myself, They, I knew nothing about Joshua M. Ferguson. I didn’t know that as a political activist they had pioneered policy changes in Ontario and B.C. that now permit non-binary gender identification on birth certificates and driver’s licenses...
Reviewed By Evelyn Deshane There are several moments in Little Fish by Casey Plett where the protagonist, Wendy, tells the readers that she always envisioned herself as more of a woman when she thought of her body from the back. This is a really queer thing to say–as in the original meaning...
