Reviewed by James K. Moran Adam McOmber, Jesus and John: A Novel (Lethe Press, 2020), 236 pp., $15 USD. Adam McOmber’s novel Jesus and John is a rare matryoshka doll of a horror novel. It is a queer love story inside a historical recreation of Jesus fraternizing with the Apostle John inside a...
Category - Articles
Dominik Parisien Joins Plenitude as Second Associate Prose Editor
We are excited to announce that Dominik Parisien has joined the Plenitude team as our second Associate Prose Editor! David will work alongside L’Amour Lisik to discover and publish exciting new stories from queer writers around the world. Dominik Parisien is an editor, writer, and poet. His poetry...
The Ideal Reader: A Review of Amber Dawn’s My Art Is Killing Me
Reviewed by Eve Morton Amber Dawn, My Art Is Killing Me and Other Poems (Arsenal Pulp Press, 2020), 128 pp., $17.95. My Art Is Killing Me is a poetry collection that feels like a wound. Amber Dawn’s latest collection of mostly free verse poetry from Arsenal Pulp Press weaves her lines with issues...
Plenitude Seeks Book Reviews Editor
Plenitude Magazine is currently seeking a permanent, part-time book reviews editor to start January 2021. The candidate will work to oversee the regular online publication of book reviews from prominent and up-and-coming LGBTQ2s+ authors. Plenitude publishes one review per month all year round on...
Beyond a Single Truth: A Review of Tommy Pico’s Feed
Reviewed by Eli Tareq El Bechelany-Lynch Tommy Pico, Feed (Tin House Books, 2019), 88pp., $15.95 “Me and Leo yakkity yak yak’d / about writer’s / block / and the starchy long stroke of quote unquote God on the Meadow Walk and he didn’t know I was fully head over banana peels I mean in Kiehl’s I...
David Ishaya Osu Joins Plenitude as Second Associate Poetry Editor
We are excited to announce that David Ishaya Osu has joined the Plenitude team as our second Associate Poetry Editor! David will work alongside Rebecca Salazar to discover and publish exciting new poetry from queer writers around the world. David Ishaya Osu is a poet, memoirist, street photographer...
Stay In Touch: A Review of Hustling Verse
Reviewed by Eve Morton Amber Dawn & Justin Ducharme, ed., Hustling Verse: An Anthology of Sex Workers’ Poetry (Arsenal Pulp Press, 2019), 192 pp., $19.95. The poetry collection Hustling Verse, edited by Amber Dawn and Justin Ducharme, is a book I want to judge by its cover. The artwork is...
Folklore as Future: A Review of Kai Cheng Thom’s I Hope We Choose Love
Reviewed by Jane Shi Kai Cheng Thom, I Hope We Choose Love (Arsenal Pulp Press, 2019), 144 pp., $17.95. My dear trans kindred—weird sisters, brothers grim and gay, siblings-in arms: What kind of world do you want to live in? –Kai Cheng Thom, “How Neoliberalism Is Stealing Trans Liberation” Kai...
Black Lives Matter: A Statement of Solidarity from Plenitude Magazine
Plenitude Magazine mourns the killing of George Floyd, Breonna Taylor, Nina Pop, Tony McDade, and all others whose lives have been stolen by police violence. We condemn the murders of Black, Indigenous, and people of colour (BIPOC), and especially of trans BIPOC at the hands of white supremacist...
On Beauty: A Review of Bahar Orang’s Where Things Touch
Reviewed by Emilia Nielsen Bahar Orang, Where Things Touch: A Meditation on Beauty (Book*hug Press, 2020), 114 pp., $20. I was first introduced to Bahar Orang’s work at Creating Space IX, the Canadian Association for Health Humanities annual conference last year in Hamilton, Ontario. Such a...
New Ways to Leave the Body: A Review of Tess Liem’s Obits.
Reviewed by Amy LeBlanc Tess Liem, Obits. (Coach House Books, 2018), 88 pp., $19.95. Winner of the Gerald Lampert Memorial Award in 2019 Obit: the announcement of a death. “It sinks like a stone, this attention to the lives of others.” Obits. opens with the above epigraph from American poet Wendy...
Call for Canadian Submissions: Queer Isolation in a Pandemic
This call for submissions will end on June 30, 2020 All around the world, people are being asked to stay home to stop the spread of COVID-19. Self-isolate. Practice social distancing. Don’t spend time with anyone outside of your household. But how is this affecting members of the Canadian LGBTQ2S+...
A Fire Sermon: A Review of Barrie Jean Borich’s Apocalypse, Darling
Reviewed by Julia Peterson Barrie Jean Borich, Apocalypse, Darling (Mad Creek Books / The Ohio State University Press, 2018), 120 pp., $18.95. Nominated for a 2018 Lambda Literary Award (Lesbian Memoir/Biography category) I remember learning, a few years ago, that Sappho’s poetry wasn’t written...
A Haunting: A Review of Carmen Maria Machado’s In the Dream House
Reviewed by Katherine Connell Carmen Maria Machado, In the Dream House (Strange Light, 2019), 264 pp., $24.95. Carmen Maria Machado’s In the Dream House is a hybrid memoir that combines the author’s personal experience of queer domestic abuse with reflections on genre, literature, film, and...
Plenitude’s Managing Editor Interviewed for Lambda Literary’s New Queer Literature Spotlight
Want to know your best bet at getting published? Curious about our history and favourite pieces? Look no further! Patrick Grace, our managing editor, was recently interviewed by Lambda Literary about Plenitude’s history, our focus on queer and trans lit, what we’re looking for in submissions, and...
I Is for Interloper: A Review of Matthew Walsh’s These are not the potatoes of my youth
Reviewed by Ben Rawluk Matthew Walsh, These are not the potatoes of my youth (Goose Lane, 2019), 92 pp., $19.95. I don’t want to have to use the word liminal, but all the spaces in Matthew Walsh’s debut poetry collection These are not the potatoes of my youth are absolutely liminal. Walsh is a Nova...
L’Amour Lisik Joins Plenitude as Associate Prose Editor
We are excited to announce that L’Amour Lisik has joined the Plenitude team as our new Associate Prose Editor! L’Amour is an artist, writer, and QPOC who lives on the unceded traditional territories of the Lekwungen and W̱SÁNEĆ Peoples. She holds a BFA in Writing from the University of Victoria...
Youth Spotlight Project
Happy New Year from Plenitude! To start 2020 off right, we’re launching a special Youth Spotlight project this month. Stories by young queer and trans authors about teen/YA (young adult) experiences don’t receive as much attention as they should, so we’ve selected two fiction and two creative...
Embodying the High Line: A Review of Lucas Crawford’s The High Line Scavenger Hunt
Reviewed by Emilia Nielsen Lucas Crawford, The High Line Scavenger Hunt (University of Calgary Press, 2018), 144 pp., $18.99. Lucas Crawford’s second collection of poetry, The High Line Scavenger Hunt, undertakes to both chronicle and engage with New York City’s High Line, a reclaimed elevated...
Queer Future: A Review of Larissa Lai’s The Tiger Flu
Reviewed by Tanya Marquardt Larissa Lai, The Tiger Flu (Arsenal Pulp Press, 2018), 334 pp., $19.95. Winner of the 2019 Lambda Literary Award for Lesbian Fiction, Larissa Lai’s novel The Tiger Flu invites us into a lyrical world that melds seamlessly with her rendering of place, telling a much...
Show, Don’t Tell: A Review of Alexander Chee’s How to Write an Autobiographical Novel
Reviewed by Asam Ahmad Alexander Chee, How to Write an Autobiographical Novel (Mariner, 2018), 280 pp., $16. Near the end of How to Write an Autobiographical Novel, Alexander Chee writes: “The story of your life, described, will not describe how you came to think about your life or yourself, nor...
Where Is My Son: A Review of Hasan Namir’s War/Torn
Reviewed by Matthew Walsh Hasan Namir, War/Torn (Book*hug Press, 2019), 114 pp., $18. Hasan Namir, celebrated author of the novel, God in Pink (winner of the 2016 Lambda Literary Award for Gay Fiction), is back on the literary scene with his essential debut book of poetry, War/Torn, published by...
An Exercise in Queer Failure: A Review of Zahra Patterson’s Chronology
Reviewed by Marie-Hélène Westgate Zahra Patterson, Chronology (Ugly Duckling Presse, 2018), 96 pp., $14. Not by accident, Zahra Patterson grants us entry into her long-form nonfiction essay, Chronology, through failure. The action of the book centers around Patterson’s inability to translate a...
Never a Unity: A Review of Emilia Nielsen’s Body Work
Reviewed by Lucas Crawford Emilia Nielsen, Body Work (Signature Editions, 2018), 100 pp., $17.95. My skin tells non-linear tales: a series of abandoned forays into shrinkage and growth; into sun exposure and cooking burns (reader, do not cook fatty proteins sans shirt); into stretched pores and the...
Plenitude at Small Press Fest on October 5 in Victoria
Plenitude is excited to appear at Open Space’s Small Press Fest on October 5 in Victoria, BC! Managing editor Patrick Grace will be there to speak on a panel discussion about running a small press or literary journal. He will also be hosting a table at the event alongside board member L’Amour Lisik...
Brief Dramas: A Review of Ocean Vuong’s On Earth We’re Briefly Gorgeous
Reviewed by Asam Ahmad Ocean Vuong, On Earth We’re Briefly Gorgeous (Penguin Random House, 2019), 368 pp., $28.00. In his first novel, On Earth We’re Briefly Gorgeous, the poet Ocean Vuong creates scenes of magisterial beauty through a heartfelt and earnest exploration of grief, desire, pain, and...
Life Beyond the Binary: A Review of Joshua M. Ferguson’s Me, Myself, They
Reviewed by Jeremiah Bartram When I opened Me, Myself, They, I knew nothing about Joshua M. Ferguson. I didn’t know that as a political activist they had pioneered policy changes in Ontario and B.C. that now permit non-binary gender identification on birth certificates and driver’s licenses...
Welcoming Our New Managing Editor, Patrick Grace
Plenitude is very happy to welcome Patrick Grace to the role of managing editor. No stranger to the literary world, he worked for The Malahat Review as publicity manager from 2013 to 2017, and has acted as one of Plenitude’s poetry editors since 2016. He has also been helping us out with...
Plenitude Seeks New Board of Directors – Deadline May 7
Are you passionate about queer literature in Canada? Do you want to support the growth and development of queer literature through Canada’s queer literary magazine? Join the Board of Plenitude Publishing Society! Plenitude Publishing Society (PPS) is seeking volunteers to bring their unique skills...
Welcome Alison Dowsett, Plenitude’s New Reviews and Prose Editor
We are excited to announce that Alison Dowsett has joined the Plenitude team! She will be taking over the roles of reviews editor, and prose editor. Alison’s work has appeared in subTerrain, Xtra! West, Terminal City, and the Science Creative Quarterly. Her piece of short memoir, “Primordial Eros,”...
Lambda Literary Awards Signal Much to Read in Queer Books
Congratulations to all finalists announced by the Lambda Literary Foundation this past Thursday, and especially to all the authors who are past contributors to Plenitude. Emilia Nielsen’s work was published in our very first issue and her current poetry collection, Body Work, is nominated in...
Looking Back: A Review of Casey Plett’s Little Fish
Reviewed By Evelyn Deshane There are several moments in Little Fish by Casey Plett where the protagonist, Wendy, tells the readers that she always envisioned herself as more of a woman when she thought of her body from the back. This is a really queer thing to say–as in the original meaning...
Hello Jane: A Review of Greetings from Janeland
Reviewed by Rebecca Snow I came out while reading Greetings from Janeland: Women Write More About Leaving Men for Women, edited by Candace Walsh and Barbara Straus Lodge. It’s the 2017 sequel to Dear John, I Love Jane, which was released in 2010. I hadn’t read the first book when I read...
The Body, or a Haunted House: A review of Carmen Maria Machado’s Her Body and Other Parties
Reviewed by Asam Ahmad The strange beauty and terrifying brilliance of Carmen Maria Machado’s first short story collection, Her Body and Other Parties, cannot be overstated. These stories foreshadow and tap into the current cultural conversations around the prevalence and banality of everyday...
So Many Feelings: a Review of A Portrait in Blues
Reviewed by Evelyn Deshane If I could sum up jayy dodd’s poetry anthology A Portrait in Blues in a phrase, it would be “so many, too much.” This utterance is my attempt to put words to a feeling that is—by the nature of feeling itself—transient, which is what many of the poets try...
Deep Time: A Review of Quarry by Tanis Franco
Reviewed by Evelyn Deshane Quarry by Tanis Franco hits all of my major interests: poetry written from a gender nonconforming / queer perspective, focused in a Canadian locale, and peppered with numerous references to literary theories, along with pop culture. Oh, and in all of this, these poems are...
Rituals of Healing and Survival: A Review of Joelle Barron’s Ritual Lights
Reviewed by Annick MacAskill Joelle Barron’s poetry collection Ritual Lights is an impressive and engaging debut that centres experiences of sexual assault, loss, love, and parenthood in a lyric narrative sequence. The book opens with a series of poems that explore sexual violence and family...
Black Hole: A Review of The Videofag Book
Reviewed by Evelyn Deshane A black hole infiltrates much of The Videofag Book, a collection edited by William Ellis and Jordan Tannahill about their time running the Videofag art space in Kensington Market, Toronto. Comprising an introduction by Tannahill and Ellis, a roundtable conversation, love...
Too Much Blood for Literature: A Review of Arundhati Roy’s The Ministry of Utmost Happiness
Review By Asam Ahmad Near the end of The Ministry of Utmost Happiness, Arundhati Roy’s first new novel in twenty years, we find this passage jotted in a characters’ notebook: How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything. It is an awkward fragment...
Rebecca Salazar, Associate Editor, Poetry
Plenitude is pleased to welcome our newest staff member, associate editor for poetry Rebecca Salazar. Rebecca has published poetry and non-fiction in journals including Prism, Minola, and The Puritan. Her poetry chapbook, Guzzle, was released by Anstruther Press in 2016. Originally from Sudbury...