Savannah Oliker I am five rows behind a pair of lovers, their heads bowed toward one another like white doves. Someone enters from the street— in a cobalt poncho and a big red hat. I cannot see her face— but I know she is a woman by the smallness of her and the shifty movement of her feet...
The Plenitude team is pleased to welcome our two new associate editors for fiction and creative non-fiction, Fatima Amarshi and Derek Warwick! A child of the global South Asian Diaspora, Fatima Amarshi comes from a multi-generational family of immigrants who travelled from India to Tanzania, and...
Reviewed by Evelyn Deshane About halfway through my PhD comprehensive exams, I hit a wall. My reading list was composed of transgender literary works, meaning that I was reading autobiography after autobiography. As I took notes on these books, I began to wonder how long it would take until people...
Interview by Matthew Walsh Local snowbird, poet and fiction writer, and editor of Poetry Is Dead magazine Daniel Zomparelli’s new book Everything Is Awful and You’re a Terrible Person was released this year with Arsenal Pulp Press in Vancouver to rave reviews, deservedly followed by a shout-out...
T. Liem Men yell at each other at the fish market in Tokyo or so I’m told. I want to be a respectable monger like them. Instead I peddle analogies in which I am a whole catch of Alaskan crabs, creatures susceptible to sea sickness. I live on the floor not in the waves. Meanwhile, men make money...
“This dance is not optional” propels readers along its dance floor with caesurae and enjambments. Can you comment on the poem as a literal (or metaphorical) dance, and describe how diction and punctuation bring momentum to your poetry? This piece came as a response to questions of...
