Jane Eaton Hamilton (Vancouver) “I am a dyke, a visual artist, a writer who longs for the sentences I read to be painted instead of typed. Can I tell you how excited I was when a friend recommended the beautifully composed The Last Nude, by Ellis Avery? This is a novel about the nature of art...
Author - Plenitude Magazine
Forgetting Sarah Marshall
Dina Del Bucchia and Daniel Zomparelli 1. I don’t really remember much these days, when the bones arrived I talked about paper or the way glass isn’t something I want to be around. Did you remember the way love works, I told you once in a small elevator that the world closes in...
Believe Her: A Review of Leah Horlick’s For Your Own Good
BY METTE BACH When are we going to start believing women who are brave enough to come forward to share their stories? When are we going to trust that survivors know their own bodies and experiences? These questions haunted me while I read Leah Horlick’s latest collection of poems, For Your Own Good...
Alan Woo
Alan Woo (Vancouver) “One of the most influential books for me as a gay Asian-Canadian writer has to be Wayson Choy’s The Jade Peony. It tells a tale of what growing up in Chinatown Vancouver back in the 1930s and 1940s was like. “Told in three sections, the book splits up the narration...
Like Magic
Taylor Basso [mks_dropcap style=”square” size=”35″ bg_color=”#505556″ txt_color=”#ffffff”]T[/mks_dropcap]he cab was long gone but they were still standing in the same spot where they got out. Mario had handed the driver a twenty, didn’t even...
Hunting for Otters: a Review of Ben Ladouceur’s Latest Collection of Poems
By Shannon Webb-Campbell Poetry is inherently queer. At the core of a poet’s craft is an ability to toy with language in a way a prose or fiction writer can’t. There are no rules in poetry, only desires. A poet can write three lines and call it a poem, whereas a novelist must adhere to an arc of a...
