“Fragmentary,” “broken” (Crazy from Swedish Krasa: to CRUSH), and a medley of narratives insisting on disconnect, either from the body, from the self, from language, or whatever apparatus needed to withhold the linear. I say it’s the opposite. If you’ve never been through it, you’re thinking of it...
The major sin is the sin of being born. —Samuel Beckett Hominid-handled bovine bone hammered Kindred skull. No dragging knuckles stopped Him looting dark markets, the self helped To fat figs, muted chops of choice tapir. Early man made primal maul, hammered Raft and drifted. Shrooming troglodyte...
Reviewed by Namitha Rathinappillai Nisha Patel, Coconut (NeWest Press, 2021), 108 pp., $19.95. Nisha Patel’s poetry debut, Coconut, reflects on the multifaceted experiences of queerness, race, womanhood, fatphobia, and familial relationships. The collection contains moments of both introspection...
it used to be the world, singularsitting on your shouldersnow it’s each of youwe’ve become so individualized the frayed end of a tasseli don’t know who or what is the single thread holding ustogether at the top but it’s precarious, no i want to weave around younot the finesse of a...
you pull out your day book &inscribe a stellarium on my belly. posed with your phone like a byzantine sainti tilt the word of your miracles to better light. i’m drawing my gratitude list in stars, you saidlike you do. do you mind if i balance this here? i stretch exalted, the breathing altar on...
Interview by L’Amour Lisik In connection with this year’s Victoria Festival of Authors taking place September 29 to October 3, Plenitude prose editor L’Amour Lisik interviews VFA panelist Hasan Namir on his latest collection of poetry, Umbilical Cord. Birth, Death, the Restlessness In Between takes...
