Reviewed by Rebecca Snow I came out while reading Greetings from Janeland: Women Write More About Leaving Men for Women, edited by Candace Walsh and Barbara Straus Lodge. It’s the 2017 sequel to Dear John, I Love Jane, which was released in 2010. I hadn’t read the first book when I read...
Reviewed by Asam Ahmad The strange beauty and terrifying brilliance of Carmen Maria Machado’s first short story collection, Her Body and Other Parties, cannot be overstated. These stories foreshadow and tap into the current cultural conversations around the prevalence and banality of everyday...
Reviewed by Evelyn Deshane If I could sum up jayy dodd’s poetry anthology A Portrait in Blues in a phrase, it would be “so many, too much.” This utterance is my attempt to put words to a feeling that is—by the nature of feeling itself—transient, which is what many of the poets try...
Alison Dowsett I. As Idea Years ago my friend sent me a draft of an essay she was writing for The Capilano Review titled, “What Literature Wants.” Several years before, we had been neighbours, which is when she introduced me to the work of Clarice Lispector and Hélène Cixous. She was a visual...
Jeremiah Bartram My version of the #MeToo story began years ago, at a book fair. I’d just published my first novel and I hadn’t yet figured out how bad it was so I was proud and happy. As I wandered around the exhibits I noticed a nearly bare table behind which sat two middle-aged women on...
Reviewed by Evelyn Deshane Quarry by Tanis Franco hits all of my major interests: poetry written from a gender nonconforming / queer perspective, focused in a Canadian locale, and peppered with numerous references to literary theories, along with pop culture. Oh, and in all of this, these poems are...
