Read to me in tongues aflame in blame, I asked the past. My prayers burnt to accusations, I cannot get past the past. Killing, not violence if you believe a killer rearranges a body’s time. Rubble of muscle, not soul. All have killed before—so vast the past. I bathed my shadow in a rainstorm...
Gallery
When It’s Over
The frosting on today’s cupcakes is bluish-grey, the colour of blah—the colour of this moment. But the smells of cinnamon buns, movie popcorn, and French fry oil fill the air and remind me of the verb wafts, so I turn away from the dessert shop and try to forget it’s there. I make my way to a...
Balancing
A flying woman, balances between the cruel heat-drafts of mid July She hovers, between tin-can house-music and picnic-fattened ants whose licorice-backs gleam in the merciless summer heat Her support? The co-conspirator to this rebellion against gravity? Perhaps she’s a childhood friend, a lover...
An Archive or a Heart: A Review of Isaac Fellman’s Dead Collections
Reviewed by Leah Bobet Isaac Fellman, Dead Collections (Penguin Random House, 2022), 256 pp., $17 US. If Dead Collections was a space, it would be an archive, or perhaps a human heart: rich, moody, and funny, built with infinite care. This literary supernatural novel takes on the carefully...
Cut to Fortress: An Interview with Tawahum Bige
Interview by L’Amour Lisik In connection with the annual Victoria Festival of Authors taking place September 28 to October 2, 2022, Plenitude prose editor L’Amour Lisik interviews VFA author Tawahum Bige on their debut collection of poetry, Cut to Fortress. Climate Acts, Land Sings takes place...
Pink Fog, Black Dress
It’s just fabric, but the shape is everything. Like a boat made of steel, it’s all about how you mould yourself into the world. Like how the body is mostly water but still walks, doesn’t pool and run into the sand, or turn to droplets suspended in the air. Like how even a disjointed sentence makes...